Ohara Davies and the part that can’t be played.

‘All the world’s a stage.’

William Shakespeare, As You Like It

It is received wisdom that a first impression takes just seconds to draw and, more often than not, time only confirms it’s accuracy. Fighters, who must exist in a world where self-belief is paramount, can often exude, or wear like a cloak, an exaggerated confidence. It projects a barrier of protection and is intended to unnerve the opponent. A virtual stand off, a falsehood before the actuality of the physical contest.

The manner or tone of this adopted persona is crucial, not only for its authenticity but also because of its impact on the profile of the fighter, their ability to generate interest and, from that essential metric, their prospects of upward trajectory. If one of the biggest sporting businesses in the world, Manchester United PLC, can sign players based on their Instagram following, it isn’t hard to understand the correlation between opportunity and popularity.

One fighter who has chosen the most precarious version of this script; to gamble on the longer odds of creating dislike and contempt to motivate people to watch him fight, is Ohara Davies. Continue reading “Ohara Davies and the part that can’t be played.”

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