Less is more. Wilder glorious. Inoue imperious.

German-born American architect Ludwig Mies van der Rohe, or Mies as he was widely known, gilded the phrase ‘Less is more’ while writing in the New York Herald Tribune in 1959. A phrase that informs much of the modernist movement of which Mies was a pioneer in his works in Germany, Spain and the United States and may predate his seminal use in his essay on Restraint in Design. Robert Browning, the great poet and playwright, may also contest the origin, but it was Mies who substantiated the philosophy in bricks, mortar and steel.

Mies celebrated the beauty of the necessary and the restraint required to resist all but that which is essential for the building to function. Every single structure he was commissioned to design in America remains in place and in use.

In the present era, in which boxing’s beauty is obscured and disfigured by the posturing and politicking of promoters and champions, with the rampant virility of sanctioning bodies’ influence tugging and displacing the sport’s very foundations, there was a refreshing simplicity to Saturday night’s action. In the contrasting displays of Wilder and Inoue, much that is great in boxing, that which enthrals us, entwines itself about our spirit and soul was available to see.

More was taken from less. More enjoyment. More progress. More clarity.
Continue reading “Less is more. Wilder glorious. Inoue imperious.”

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