Any consideration of David Haye’s career is usually accompanied by a track from my internal Jukebox. It isn’t McFadden and Whitehead’s Aint No Stopping Us Now; his entrance tune, nor is it From Russia with Love, primarily because his nemesis was Ukrainian, I tend to hear the chorus from Natalie Imbruglia’s Torn representing as is does the conflict between his achievements and failings. Read the rest of this entry »